Next-generation Olympus engineering has created the Micro Four Thirds camera of the future – today: the new OM-D E-M1 Mark II. An advanced system of innovative technology and features designed to forever change the power of photography.
High-speed performance
Precision and function
The high-speed autofocus (AF) system built into the E-M1 Mark II has been developed to capture split-second moments with precision. Thanks to a range of advanced features, you have a clear eye on your subject at all times.
The controls for the AF Target mode have been kept to a minimum – just four key options and single-action button – to make it easier and quicker to get the precise results professionals expect.
Mobility and reliability
When documenting the next project or travelling through outstanding landscapes, the
E-M1 Mark II will keep you capturing great shots in comfort. It has the light weight, weatherproof construction and advanced battery perfect for any photo assignment.
Excellent image quality
The E-M1 Mark II is a true powerhouse of technology. Wrapped in the compact camera is a new 20M Live MOS sensor and the latest TruePic VIII image processor, made with renowned OLYMPUS engineering. These are rounded out with features for cinema-like, clear stills and videos alike.
Fulfilling Features
Specifications
Specifications
Type
Body material
Magnesium alloy body
Lens mount
Micro Four Thirds
Image Sensor
Type
4/3'' Live MOS sensor
Effective pixels
20.4 Megapixels
Filter array
Primary colour filter (RGB)
Aspect ratio & area
4:3 / 17.3 x 13.0mm
Full resolution
21.8 Megapixels
Engine
Type
TruePic VIII
Filter
Dust reduction filter
Supersonic Wave Filter
Viewfinder
Type
Electronical Viewfinder
Pixel number
2.360K dots
Diopter adjustment
Yes; ‑4.0 ‑ +2.0 diopters / built‑in type
Field of view
Approx. 100%
Magnification
Max. 1.48x with a 50mm lens set to infinity at ‑1 dioptre (depending on selected viewfinder style)
Eye point
21mm at ‑1 dioptre from eyepiece lens
Style
3 styles selectable
Displayed information
Brightness adjustment
Adaptive Brightness Technology / Manual settings: +/‑ 7 levels
Correction of colour temperature
+/‑ 7 levels
S-OVF
Expands the Live View dynamic range
*Available in the EVF when in P, A, S and M modes. Art filter, WB and exposure are not reflected in EVF.
Live View
Displayed information
Field of view
Approx. 100%
Magnification levels
3 / 5 / 7 / 10 / 14x
Dynamic range expansion
When in HDR1 or HDR2
Display modes
Image Stabiliser
Type
Sensor shift
Modes
Five‑dimensional, vertical or horizontal activation, automatic
Effective Compensation Range
Up to 5.5 EV steps ((CIPA))
Focusing System
Method
TTL phase difference detection system, contrast detection system
Focus areas
121 points * / All target, Group target (9‑areas or 5‑areas), Single target
800 points / Manual selection in Magnified View Mode
* All cross type
AF lock
Yes; Locked by first position of shutter release button in single AF mode, AE/AF lock button (customised)
Modes
* Distance setting values are rough estimates and only AF lenses can be used.
AF illuminator
Yes
Full time AF
Yes
Manual focus
Yes; With enlarged focusing area or focus peaking
Face Detection extension
Predictive AF
Yes
AF tracking
Yes; Available in continuous AF mode
Focus peaking
Colour selection
White, black, red, yellow
Intensity
High / Normal / Low
Back light effect
On / Off
Focus Bracketing Mode
Number of images
3 - 999shots
Step size
10levels
Compatible with: All Micro Four Thirds AF lenses
Exposure System
Modes
Exposure compensation
+/‑ 5 EV (1, 1/2, 1/3 steps)
Note: Monitor and EVF displays only up to ±3 EV.
Exposure bracketing
2 / 3 / 5 frames (+/‑ 1/3, 2/3, 1 EV steps)
7 frames (+/‑ 1/3, 1/2, 2/3 EV steps)
ISO bracketing
3 frames (1/3, 1/2, 1 EV steps)
AE lock
Yes
My Mode
4 settings storable
Enhancement function
Digital Shift (horizontal and vertical compensation can be performed simultaneously)
Shadow Adjustment Technology
HDR bracketing
3 / 5 frames (+/‑ 2 / 3 EV steps)
7 frames (+/‑ 2 EV steps)
Multi-Exposure
Max. number of frames
2 frames (shooting)
3 frames (editing)
Auto gain control
Yes
Frame assistance
Live View
Light Metering
Method
TTL open aperture light metering
Zones
324 zones Multi‑pattern Sensing System
Detection range
‑2 ‑ 20 EV (17mm f2.8, ISO 100)
Modes
Art Filter
Modes
Variation / Effect
Available
Art Filter bracketing
Art Filters selectable
Sensitivity
Auto
(customisable, default ISO LOW ‑ 6400)
Manual
ISO LOW ‑ 25600 in 1/3 or 1 EV ISO steps
Shutter
Shutter type
Computerised focal‑plane shutter
Self timer
2s / 12s / Custom
Durability
200000shots
Shutter Speeds
Shutter speed range
1/8000 ‑ 60s (in 1/3, 1/2, 1 EV steps)
Bulb mode
Up to 30 minutes (selectable longest time in the menu, default: 8 minutes)
High res shot
Shutter type
Electronic shutter
Shutter speed
1/8000 ‑ 8s
Start delay
0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15. 30s
Resolution
JPEG: 8160 x 6120 / 5760 x 4320 RAW: 10368 x 7776
Equivalent to 50M / 25M pixel sensor (8 shots combined into a single JPEG using sensor shift)
Available in P/A/S/M mode
Anti shock mode
Shutter type
Electronic first curtain shutter
Shutter speed
1/320* ‑ 60s
Start delay
0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30s
* For speeds over 1/320 sec., mechanical shutter will automatically be selected.
Silent mode
Shutter type
Electronic shutter
Shutter speed
1/32000 ‑ 60s
Start delay
0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15. 30s
White Balance
AUTO WB system
Advanced detection system with Live MOS sensor
Manual White balance (One-Touch)
Yes
White balance bracketing
3 frames / +/‑ 2, 4, 6 mired steps
One-touch white balance
4 custom settings can be registered
Custom WB
1 setting can be registered at Kelvin temperature (2000K ‑ 14000K)
Preset values
Auto Flash adjustment
Off / Auto WB / Flash
Keep warm colour
On / Off
Sequence Shooting
Speed (H)
Approx. 15fps
Speed (L)
10fps ‑
Silent mode
Speed (H)
Approx. 60fps
Speed (L)
Approx. 18fps
Pro Capture mode
Speed (H)
Approx. 60fps
Speed (L)
Approx. 18fps
Pre-shutter Frames
0 - 14frames (recorded by half release prior to full release)
Frame count limiter
1- 99frames / Off (unlimited frames) (incl. pre‑shutter frames)
Conditions
Memory card: TOSHIBA SDHC UHS‑II R95 W90 EXCERIA™
When using the M.Zuiko Digital ED 12‑40mm f2.8 Pro
Maximum sequential shooting speed may be affected by several factors including lens used, brightness, aperture, shutter speed, and ISO setting.
When ISO is 8000 or above, 30 fps becomes the maximum sequential shooting speed. The actual shooting speed may become slower than the set shooting speed by a few frames per second. When using ISO Bracketing, performance will be affected at ISO 2000 or above.
Image Processing
Colour space
sRGB / AdobeRGB
Sharpness + Contrast
5 levels
Contrast
5 levels
Saturation
5 levels
Black & White filter
Yellow, Orange, Red, Green
Black & White toning
Sepia, Blue, Purple or Green in Black & White mode
Picture mode
Gradation
4levels (auto, high key, normal, low key)
Engine
TruePic VIII
Art Filter bracketing
Available
Tele converter effect
2x
Internal Flash
Modes
Type
Detachable flash with bounce capability (bundled)
Flash compensation
+/‑ 3 EV / 1/3, 1/2, 1 EV steps
Guide number
12.9 (ISO 200)
X-sync speed
1/250s / 1/8000s (Super FP Mode)
External Flash Control
X-sync speed
1/250s / 1/8000s (Super FP Mode)
Type
TTL AUTO, AUTO, MANUAL, FP TTL AUTO, FP MANUAL
Modes
Intensity
+/‑ 3 EV (1/3, 1/2, 1 EV steps)
Note: Some functions are only available if they are supported by the external flash.
Wireless Flash Control
Number of channels
4 channels
Compatible external flash
FL‑36R, FL‑50R, FL‑300R, FL‑600R, FL‑900R, STF‑8
Control method
Triggered and controlled by bundled flash
Group setting
4 groups
Available when used together with cameras compatible with the Olympus wireless RC flash system.
Monitor
Monitor type
Vari‑angle LCD ‑ Touch Panel
Monitor size
7.6cm / 3.0'' (3:2)
Resolution
1037K dots
Brightness adjustment
+/‑ 7 levels
Colour balance
+/‑ 7 levels Vivid (default) / Natural
Touch Control fucntions
Level Gauge
Detection
2‑axis
Display
Rear display and viewfinder
Super Control Panel
Displayed information
Recording Formats
RAW
12bit
RAW & JPEG
Yes; parallel recording
JPEG
Yes
Aspect ratio
4:3 / 3:2 / 16:9 / 6:6 / 3:4
MPO (3D)
Yes
Image Size
RAW
5184 x 3888 compressed
5184 x 3888 Fine (compression: 1/4)
Still Image Recording
EXIF
2.3
DCF
Yes
RAW
Yes
Dual SD card settings
Standard, Auto Switch, Dual Independent, Dual Same
When two cards are inserted, card to be saved on to or to be viewed can be designated.
Movie Recording System
Recording format
MOV(MPEG‑4AVC/H.264), AVI(Motion JPEG)
Time code
Rec run / Free run
Drop frame / Non‑drop frame
Image Stabilisation Mode
Yes; Sensor shift
M‑IS1 (Image sensor shift and electronic image stabilizer with multi motion IS)
M‑IS2 (Image sensor shift with multi motion IS)
4K Movie quality
4096 x 2160 (C4K) / 24p / IPB (approx. 237 Mbps)
3840 x 2160 (4K) / 30p, 25p, 24p / IPB (approx. 102 Mbps)
HD Movie quality
Full HD 1920 x 1080 (16:9) / 30p, 25p, 24p / ALL‑I(A‑I), IPB(SF, F, N) (MOV)
Full HD 1920 x 1080 (16:9) / 60p, 50p / IPB(SF, F, N) (MOV)
HD 1280 x 720 (16:9) / 60p, 50p, 30p, 25p, 24p / ALL‑I(A‑I), IPB(SF, F, N) (MOV)
ALL‑I: ~ 202 Mbps
FullHD IPB (SF: ~52Mbps, F: ~30Mbps)
HD IPB (SF: ~26Mbps, F: ~14Mbps, N: ~10Mbps)
HD 1280 x 720 (16:9) / 30p (MOV)
Movie quality
640 x 480 / 30p (AVI Motion JPEG®)
Maximum Recording Time
29min (MOV)
14min (SD) / 7min (HD) (AVI Motion JPEG®)*
Max. file size
4GB (AVCHD)
2GB (Motion‑JPEG)
Exposure Modes
* Frame rate may drop when using certain art filter
Class 10 or higher SD card is recommended for movie shooting
UHS‑II or UHS‑I U3 card is recommended for ALL‑I shooting
Movie Specialties
Time lapse
4k, 1080p, 720p (AVI Motion JPEG®)
Fast motion
Yes
Slow motion
Yes
Movie clips
1, 2, 4, 8s
(Extension up to 16s by pressing record button before clip ends.)
Movie effects
Art Filter
* 18 colours selectable
Frame rate limited to 30fps or lower
HDMI Live View
Yes (GUI* is shown on connetced device only and peaking is not available)
* GUI can be hidden for recording on external drive under following condition. Movie type: YCbCr 4:2:2 / Frame rate: as set / Sound: no
Sound Recording System
Internal microphone
Stereo
Recording format
Stereo PCM/16bit, 48kHz, Wave Format Base
Image footage
30s
Speaker
Yes
Microphone functions
Linking Olympus PCM Recorders
Functions
Slate Tone / Synchronised Audio Rec‑Movie Rec
Compatible with: LS‑100
View Images
Modes
Light box
Yes
Histogram in playback mode
Yes
Shooting information
Off / On
Highlight/Shadow point warning
Yes
Erase / Protect / Copy Function
Erase modes
Single, All, Selected
Image protect mode
Single frame, Selected frames, All Frames, Release protect (Single/All selected)
Image Editing
Editing functions
Menu
Menu languages in camera
English, French, German, Spanish, Italian, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovak, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian
Customisation Options
Fn Button
Yes
My Mode
4 settings storable (Can be set to mode dial.)
Factory reset
Full / Basic
Programmable button
Yes
Interface
Media
SD Memory Card (SDHC, SDXC, UHS‑I, UHS‑II compatible) Class 10 or higher SD card is recommended for movie shooting UHS‑II or UHS‑I U3 card is recommended for 4K, C4K, ALL‑I shooting.
Slot1: UHS‑I, II compatible; Slot2: UHS‑I compatible
HDMI™
Yes; Micro connector (Type D) *
USB 2.0 High Speed
Yes
USB 3
Type C
Wireless connectivity
WiFi
* "HDMI", the HDMI logo and "High‑Definition Multimedia Interface" are trademarks or registered trademarks of HDMI Licensing LLC.
Tethered control
Yes
Microphone jack
3.5 ø mm mini‑jack
Earphone jack
3.5 ø mm mini‑jack
Synchro socket
-
Wi-Fi Functions
Easy Connection
QR code setting
Wireless Shooting
Power Supply
Battery
BLH‑1 Lithium‑Ion Battery
Sleep mode
1, 3, 5, 10 min. and off selectable.
DC-input
AC‑5
Environment
Temperature
‑10 ‑ 40°C Operating temperature / ‑20 ‑ 60°C storage temperature
Humidity
30 ‑ 90% operation humidity / 10 ‑ 90% storage humidity
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Experienced amateur
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