Olympus OM-D E-M1 Mark II Digital Camera with 12-40mm PRO and 40-150mm PRO Lenses
Next-generation Olympus engineering has created the Micro Four Thirds camera of the future – today: the new OM-D E-M1 Mark II. An advanced system of innovative technology and features designed to forever change the power of photography.
High-speed performance
Fast sequential shooting: Experience sequential shooting that surpasses SLR cameras by far. The E-M1 Mark II provides both S-AF and C-AF at an amazing 20.4 high-definition megapixels rich with detail. Thanks to parallel processing, even fast-moving subjects in up to 60fps look clear and sharp.
Single Autofocus
Choose exactly when sequential shooting should set in with Single AF (S-AF). As long as the AF/AE function is locked in, the E-M1 Mark II will take up to 60fps while you follow any fast-moving subject with the Electronic Viewfinder. All images are captured in full resolution RAW format.
Continuous Autofocus
Keep shooting carefree with Continuous AF (C-AF). The AF/AE tracking function keeps an eye on the subject at all times to give you up to 18fps whenever you notice that the moment is right All images are captured in full resolution RAW format.
Pro Capture
Pro Capture starts shooting the moment you press the shutter release button down halfway, with a buffer that can be set to capture up to 14 frames in full resolution. The moment the button is pressed down fully, non-stop shooting begins. Because you have the chance to go back in time, by up to 14 frames, you get the exact moment you want to capture without any lag.
Precision and function
The high-speed autofocus (AF) system built into the E-M1 Mark II has been developed to capture split-second moments with precision. Thanks to a range of advanced features, you have a clear eye on your subject at all times.
121-point all-cross type
The more the better, especially when it comes to tracking information that’s reliable. That’s why the E-M1 Mark II’s On-Chip Phase Detection AF uses an amazing 121 points in an all-cross type layout. Cross-type sensor (detects vertical/horizontal lines)
Subject Tracking Cluster Display
Thanks to a cluster of tracking fields shown directly on the monitor, the new Subject Tracking Cluster Display makes it easier than ever to focus on moving subjects in AF tracking.
AF Target mode
The controls for the AF Target mode have been kept to a minimum – just four key options and single-action button – to make it easier and quicker to get the precise results professionals expect.
Mobility and reliability
When documenting the next project or travelling through outstanding landscapes, the E-M1 Mark II will keep you capturing great shots in comfort. It has the light weight, weatherproof construction and advanced battery perfect for any photo assignment.
Compact size
Even with the super-telephoto M.ZUIKO Pro lens attached, the E-M1 Mark II is more compact and lightweight than DSLR cameras to provide easy hand-held shooting with more freedom.
Long-lasting battery
Don’t miss getting that special shot. The new Li-Ion battery enables more shots on the E-M1 Mark II, with significantly less charging time. A percentage display lets you keep track of the remaining power.
Robust construction
A clever system of seals makes the E-M1 Mark II splashproof, dustproof and freezeproof down to –10°C. So you can keep shooting in any weather and any environment.
Excellent image quality
The E-M1 Mark II is a true powerhouse of technology. Wrapped in the compact camera is a new 20M Live MOS sensor and the latest TruePic VIII image processor, made with renowned OLYMPUS engineering. These are rounded out with features for cinema-like, clear stills and videos alike.
20.4M Live MOS sensor and 50M High Res
This new high-speed, low-consumption sensor boosts pixel optics to deliver rich gradations and improved image quality, also for high-sensitivity shooting. This is complemented by the anti-reflective AR Coating to reduce flaring and ghosting directly on the sensor. For even higher resolution, there’s 50M High Res Shot: eight shots are combined to generate a single high-res photo equal to 50M.
5-Axis Image Stabilisation
Re-developed exclusively for the E-M1 Mark II, the image stabilisation mechanism provides up to 6.5 shutter speed steps of correction* performance for reliable camera-shake compensation. This revolutionary IS system is now the perfect match for E-M1 Mark II’s video capabilities and makes the E-M1 Mark II ideal for handheld shooting in any lighting as well as handheld filmmaking.
TruePic VIII image processor
The E-M1 Mark II is also equipped with this new image processor, employing a double quad-core system and dedicated AF processing. Together with the 20M Live MOS sensor, they provide the power behind the thrilling autofocus speed and image quality.
OM-D Movie 4K recording
Compatible with 4K (3840 x 2160) and C4K (4096 x 2160), the E-M1 Mark II is also ideal for authentic movie production. With an option of a 30P or 24P frame rate, with a max bit rate of 237Mbps, you are able to record in the digital cinema standard for 4K.
Fulfilling Features
Slient Shutter mode
Shutter noise and all electronic sounds can now be shut off to deliver completely silent shooting. This enables you to capture wildlife such as birds without making a sound.
Live Composite and Live Bulb modes
Shoot beautiful night-time and low-light compositions with the Live Composite and Live Bulb modes. You can see the image build up on the LCD as the picture is taken – giving you full freedom of exposure adjustment.
Focus Bracketing and Stacking
Especially useful for macro shooting, this feature lets you take several photos of the subject and then stack them to create a single image with edge-to-edge clarity.
OLYMPUS Capture
OLYMPUS Capture has been developed to provide seamless tethered shooting for professionals. Your photos are easily transmitted via the all-new USB 3.0 Type C port from the E-M1 Mark II to your PC or Mac.
Specifications
Specifications
Type
Body material
Magnesium alloy body
Lens mount
Micro Four Thirds
Image Sensor
Type
4/3'' Live MOS sensor
Effective pixels
20.4 Megapixels
Filter array
Primary colour filter (RGB)
Aspect ratio & area
4:3 / 17.3 x 13.0mm
Full resolution
21.8 Megapixels
Engine
Type
TruePic VIII
Filter
Dust reduction filter
Supersonic Wave Filter
Viewfinder
Type
Electronical Viewfinder
Pixel number
2.360K dots
Diopter adjustment
Yes; ‑4.0 ‑ +2.0 diopters / built‑in type
Field of view
Approx. 100%
Magnification
Max. 1.48x with a 50mm lens set to infinity at ‑1 dioptre (depending on selected viewfinder style)
*Available in the EVF when in P, A, S and M modes. Art filter, WB and exposure are not reflected in EVF.
Live View
Displayed information
Aperture
Shutter speed
Auto bracket
AE lock
Focus mode
Shooting mode
Battery check
IS activating mode
Face / Eye detection mode
Record mode
ISO
Sequential shooting mode
White Balance
Metering mode
Exposure compensation value
AF frame display
AF confirmation mark
Shooting information
Spot metering area
Super FP
Flash status
Touch Panel Condition
Focal length
Flash mode
Histogram
Level Gauge
Highlight & Shadow
Focus peaking
Number of storable pictures
Custom
Face detection
Flash intensity
WiFi
Field of view
Approx. 100%
Magnification levels
3 / 5 / 7 / 10 / 14x
Dynamic range expansion
When in HDR1 or HDR2
Display modes
Comparison
Grid (4 types)
Grid
Histogram
Level Gauge
Magnified View
Standard information
Off
Image Stabiliser
Type
Sensor shift
Modes
Five‑dimensional, vertical or horizontal activation, automatic
Effective Compensation Range
Up to 5.5 EV steps ((CIPA))
Focusing System
Method
TTL phase difference detection system, contrast detection system
Focus areas
121 points * / All target, Group target (9‑areas or 5‑areas), Single target
800 points / Manual selection in Magnified View Mode
* All cross type
AF lock
Yes; Locked by first position of shutter release button in single AF mode, AE/AF lock button (customised)
Modes
Manual focus
Preset MF*
Single AF
Continuous AF
Single AF + MF
AF Tracking
* Distance setting values are rough estimates and only AF lenses can be used.
AF illuminator
Yes
Full time AF
Yes
Manual focus
Yes; With enlarged focusing area or focus peaking
Face Detection extension
Eye Detect AF: Off
Left side priority
Near side priority
Right side priority
Predictive AF
Yes
AF tracking
Yes; Available in continuous AF mode
Focus peaking
Colour selection
White, black, red, yellow
Intensity
High / Normal / Low
Back light effect
On / Off
Focus Bracketing Mode
Number of images
3 - 999shots
Step size
10levels
Compatible with: All Micro Four Thirds AF lenses
Exposure System
Modes
Programme automatic
Aperture priority
Shutter priority
Manual
Bulb
Time
Movie
HDR
My Mode
Custom shooting
Custom 1
Custom 2
Exposure compensation
+/‑ 5 EV (1, 1/2, 1/3 steps)
Note: Monitor and EVF displays only up to ±3 EV.
Exposure bracketing
2 / 3 / 5 frames (+/‑ 1/3, 2/3, 1 EV steps)
7 frames (+/‑ 1/3, 1/2, 2/3 EV steps)
ISO bracketing
3 frames (1/3, 1/2, 1 EV steps)
AE lock
Yes
My Mode
4 settings storable
Enhancement function
Digital Shift (horizontal and vertical compensation can be performed simultaneously)
Shadow Adjustment Technology
HDR bracketing
3 / 5 frames (+/‑ 2 / 3 EV steps)
7 frames (+/‑ 2 EV steps)
Multi-Exposure
Max. number of frames
2 frames (shooting)
3 frames (editing)
Auto gain control
Yes
Frame assistance
Live View
Light Metering
Method
TTL open aperture light metering
Zones
324 zones Multi‑pattern Sensing System
Detection range
‑2 ‑ 20 EV (17mm f2.8, ISO 100)
Modes
ESP light metering
Spot metering
Centre weighted metering
Highlight
Shadow
Art Filter
Modes
Pop Art
Soft Focus
Pale & Light Colour
Light Tone
Grainy Film
Pin Hole
Diorama
Cross Process
Dramatic Tone
Gentle Sepia
Key Line
Water colour
Vintage
Partial Colour*
Variation / Effect
Available
Art Filter bracketing
Art Filters selectable
Sensitivity
Auto
(customisable, default ISO LOW ‑ 6400)
Manual
ISO LOW ‑ 25600 in 1/3 or 1 EV ISO steps
Shutter
Shutter type
Computerised focal‑plane shutter
Self timer
2s / 12s / Custom
Durability
200000shots
Shutter Speeds
Shutter speed range
1/8000 ‑ 60s (in 1/3, 1/2, 1 EV steps)
Bulb mode
Up to 30 minutes (selectable longest time in the menu, default: 8 minutes)
High res shot
Shutter type
Electronic shutter
Shutter speed
1/8000 ‑ 8s
Start delay
0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15. 30s
Resolution
JPEG: 8160 x 6120 / 5760 x 4320 RAW: 10368 x 7776
Equivalent to 50M / 25M pixel sensor (8 shots combined into a single JPEG using sensor shift)
Available in P/A/S/M mode
Anti shock mode
Shutter type
Electronic first curtain shutter
Shutter speed
1/320* ‑ 60s
Start delay
0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30s
* For speeds over 1/320 sec., mechanical shutter will automatically be selected.
Silent mode
Shutter type
Electronic shutter
Shutter speed
1/32000 ‑ 60s
Start delay
0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15. 30s
White Balance
AUTO WB system
Advanced detection system with Live MOS sensor
Manual White balance (One-Touch)
Yes
White balance bracketing
3 frames / +/‑ 2, 4, 6 mired steps
One-touch white balance
4 custom settings can be registered
Custom WB
1 setting can be registered at Kelvin temperature (2000K ‑ 14000K)
Preset values
Tungsten
Flourescent 1
Sunlight
Flash
Overcast
Shade
Underwater
Auto Flash adjustment
Off / Auto WB / Flash
Keep warm colour
On / Off
Sequence Shooting
Speed (H)
Approx. 15fps
Speed (L)
10fps ‑
Silent mode
Speed (H)
Approx. 60fps
Speed (L)
Approx. 18fps
Pro Capture mode
Speed (H)
Approx. 60fps
Speed (L)
Approx. 18fps
Pre-shutter Frames
0 - 14frames (recorded by half release prior to full release)
Frame count limiter
1- 99frames / Off (unlimited frames) (incl. pre‑shutter frames)
Conditions
Memory card: TOSHIBA SDHC UHS‑II R95 W90 EXCERIA™
When using the M.Zuiko Digital ED 12‑40mm f2.8 Pro
Maximum sequential shooting speed may be affected by several factors including lens used, brightness, aperture, shutter speed, and ISO setting.
When ISO is 8000 or above, 30 fps becomes the maximum sequential shooting speed. The actual shooting speed may become slower than the set shooting speed by a few frames per second. When using ISO Bracketing, performance will be affected at ISO 2000 or above.
Image Processing
Colour space
sRGB / AdobeRGB
Sharpness + Contrast
5 levels
Contrast
5 levels
Saturation
5 levels
Black & White filter
Yellow, Orange, Red, Green
Black & White toning
Sepia, Blue, Purple or Green in Black & White mode
Picture mode
Gradation
4levels (auto, high key, normal, low key)
Engine
TruePic VIII
Art Filter bracketing
Available
Tele converter effect
2x
Internal Flash
Modes
AUTO
Manual
Manual (Full, 1/4, 1/16, 1/64)
Red-eye reduction
Slow synchronisation with red-eye reduction
Slow synchronisation
Slow synchronisation 2nd curtain
Fill-in
Off
TTL-Auto
FP Manual
FP TTL Auto
Type
Detachable flash with bounce capability (bundled)
Flash compensation
+/‑ 3 EV / 1/3, 1/2, 1 EV steps
Guide number
12.9 (ISO 200)
X-sync speed
1/250s / 1/8000s (Super FP Mode)
External Flash Control
X-sync speed
1/250s / 1/8000s (Super FP Mode)
Type
TTL AUTO, AUTO, MANUAL, FP TTL AUTO, FP MANUAL
Modes
Auto
Red-eye reduction
Slow synchronisation
2nd curtain and slow synchronisation
Fill-in for exclusive flash
Manual
Intensity
+/‑ 3 EV (1/3, 1/2, 1 EV steps)
Note: Some functions are only available if they are supported by the external flash.
Wireless Flash Control
Number of channels
4 channels
Compatible external flash
FL‑36R, FL‑50R, FL‑300R, FL‑600R, FL‑900R, STF‑8
Control method
Triggered and controlled by bundled flash
Group setting
4 groups
Available when used together with cameras compatible with the Olympus wireless RC flash system.
Monitor
Monitor type
Vari‑angle LCD ‑ Touch Panel
Monitor size
7.6cm / 3.0'' (3:2)
Resolution
1037K dots
Brightness adjustment
+/‑ 7 levels
Colour balance
+/‑ 7 levels Vivid (default) / Natural
Touch Control fucntions
AF area enlargement
AF area selection
Art Filter
Enlargement
Enlargement playback
Frame forward/backward
Live Guide
Scene Modes
Shooting mode
Shutter release
Super Control Panel
Wifi connection
Level Gauge
Detection
2‑axis
Display
Rear display and viewfinder
Super Control Panel
Displayed information
Battery indicator
Record mode
Shutter speed
Aperture value
Exposure compensation indicator
ISO
AE bracketing
AF frame
Focus mode
AEL notification
Face detection
Number of storable frames
Metering mode
Exposure mode
Exposure level view
Flash compensation value
Colour space
Gradation
Colour saturation compensation value
Sharpness compensation value
Contrast compensation value
White balance
White balance compensation value
Noise reduction
Flash mode
Drive mode
Internal temperature warning
Histogram
Recording Formats
RAW
12bit
RAW & JPEG
Yes; parallel recording
JPEG
Yes
Aspect ratio
4:3 / 3:2 / 16:9 / 6:6 / 3:4
MPO (3D)
Yes
Image Size
RAW
5184 x 3888 compressed
5184 x 3888 Fine (compression: 1/4)
Still Image Recording
EXIF
2.3
DCF
Yes
RAW
Yes
Dual SD card settings
Standard, Auto Switch, Dual Independent, Dual Same
When two cards are inserted, card to be saved on to or to be viewed can be designated.
Movie Recording System
Recording format
MOV(MPEG‑4AVC/H.264), AVI(Motion JPEG)
Time code
Rec run / Free run
Drop frame / Non‑drop frame
Image Stabilisation Mode
Yes; Sensor shift
M‑IS1 (Image sensor shift and electronic image stabilizer with multi motion IS)
SD Memory Card (SDHC, SDXC, UHS‑I, UHS‑II compatible) Class 10 or higher SD card is recommended for movie shooting UHS‑II or UHS‑I U3 card is recommended for 4K, C4K, ALL‑I shooting.
Slot1: UHS‑I, II compatible; Slot2: UHS‑I compatible
HDMI™
Yes; Micro connector (Type D) *
USB 2.0 High Speed
Yes
USB 3
Type C
Wireless connectivity
WiFi
* "HDMI", the HDMI logo and "High‑Definition Multimedia Interface" are trademarks or registered trademarks of HDMI Licensing LLC.
Tethered control
Yes
Microphone jack
3.5 ø mm mini‑jack
Earphone jack
3.5 ø mm mini‑jack
Synchro socket
-
Wi-Fi Functions
Easy Connection
QR code setting
Wireless Shooting
Live View
Power off
Rec View
Self timer
Touch AF & Shutter
P/A/S/M exposure modes
Bulb mode
Zoom
Movie recording
Live Composite
Short movie
Power Supply
Battery
BLH‑1 Lithium‑Ion Battery
Sleep mode
1, 3, 5, 10 min. and off selectable.
DC-input
AC‑5
Environment
Temperature
‑10 ‑ 40°C Operating temperature / ‑20 ‑ 60°C storage temperature